|Elvis Express Radio News
|RACIST ALLEGATIONS CONTRADICT PRESLEY'S LIFE
November 26, 2017 - Jamaica-Gleaner / Elvis Express Radio
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|Elvis Presley's spiritual leanings and his association with gospel concerts and gospel recordings as a teenager portrayed him as a godly man who would be the last to indulge in
racism. Yet, I have grown up from a youth knowing that Presley was condemned by many Jamaicans for certain derogatory comments in the late 1950s.
The official website Elvis Australia - Elvis and Racism, the ultimate definitive guide, quotes a source (which they do not reveal) that accused Presley of saying that "the only thing
Negroes can do for me is shine my shoes and buy my records". But the same website has produced glaring evidence to refute that comment and render it fallacious.
Photographed in a jovial mood with several outstanding black entertainers of that time, including female gospel singer Mahalia Jackson, Brook Benton, Jackie Wilson, Sammy Davis
Jr, Johnny Mathis, Fats Domino, and B.B. King, Presley was portrayed as a white man who had a black heart. The website states that "in heavily segregated Memphis of that day,
Presley was regularly seen at black-only events".
The white boy thus became hooked on the music of pioneering black artistes being played on the radio, got immersed in black Memphis blues clubs, and absorbed the music of
local impoverished black communities. It was to Memphis that his father had moved the family while Elvis was still a pre-teen to escape the poverty that they were experiencing in
Mississippi, where he was born into a poor sharecropping family on January 8, 1935.
I have grown with the music and kept abreast of Presley's development and easily appreciate that most of what was said about Presley and his racist leanings was nonsense. For
whatever reason, from my viewpoint, he came across with a 'black sound' on That's All Right Mama in July of 1954 for Sun Records. It was, therefore, inconsistent with his
upbringing that Presley could have indulged in such misdeeds.
He covered the genres of pop, ballads, rockabilly, country, blues, Rhythm and Blues, gospel, and Rock 'n' Roll. It was the last genre that brought the man, who later became known
as The King Of Rock 'n' Roll, into the public limelight after Radio Corporation of America (RCA) bought his contract from Sun Records.
The 'Elvis Presley commemorative issue' album lists his first five recordings for RCA (all number one hits on the Billboard and Cashbox charts) as Heartbreak Hotel, I Want You I
Need You I Love You, Hound Dog, Don't Be Cruel, and Love Me Tender, in that order, all recorded between April and August 1956 in the Rock 'n' Roll and ballad genres. He
followed up with four more number-one Rock 'n' Roll songs consecutively - Too Much, All Shook Up, Teddy Bear and Jailhouse Rock - on the same charts, between September
1956 and April 1957.
But of all the genres that Presley has attempted, perhaps his ballad songs have presented us with some of the most haunting love verses. How could we ever forget It's Now Or
Never, That's When Your Heartaches Begin, and Are You Lonesome Tonight. The mid-song soliloquy in the last song is worth reciting:
"I wonder if you're lonesome tonight
You know, someone once said that the world's a stage
And each must play a part
Fate had me playing in love, you as my sweetheart
Act one was when we met,
I loved you at first glance
You read your lines so clearly and never missed a cue
Then came act two
You seemed to change
And you acted strange
And why I'll never know
Honey, you lied when you said you loved me
And I had no cause to doubt you
But I'd rather go on hearing your lies
Than go on living without you." .
You can read more on this issue through Elvis Express Radio's article "ELVIS WAS NO RACIST"
PLUS you can pick up a copy of an excellent book "ELVIS: BLACK and WHITE to TECHNICOLOR" (Limited First Print Run of Just 50) by Paul Belard and Joseph Krein
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